BDJ's Cellar Full of Remixes
A Splendid Time.....
6x Love Me Do
May 15, 2017 12:16 PM PDT
Love Me Do is a strange little record. Of course, it was the first Beatles record in the UK, and the fab-four also recorded Love Me Do eight times for the BBC. More recently, Paul performed Love Me Do on Pinkpop 12-06-2016.
But that's not the complete story: all in all, the Beatles recorded and released five versions of Love Me Do, and a 6th version remained unreleased. And four different drummers played on these records! Here we present a compilation of all six studio versions of Love Me Do, including the previously unreleased version of 1969. In running order:
1) Pete Best on drums: recorded on June 6, 1962, poor Pete didn't realize that this recording would cost him his seat behind the drum kit. The EMI recording staff were unimpressed by his irregular time-keeping, and the other 3 Beatles didn't mind trading him in for a better drummer like Ringo Starr. But history has been too unkind to Pete Best. True, his timekeeping on the is recording is sloppy, but so are the vocals and the overall performance of the band. Perhaps they were nervous, or unaccustomed to working a in a studio? After all, it was the first time that they recorded a Lennon & McCartney composition.
Pete's drumming seems off during the 'middle eight' (someone to love...), but it seems harsh to blame Pete for it; they had played the song live in Hamburg, and had practiced it in the Cavern before the recording session. So this was the way that Lennon & McCartney wanted the drums to play, but Pete was held accountable for the - rather poor - result.....
2) Ringo on drums, recorded on September 4, 1962. The fab-four assumed they were recording the definitive version for their single, but didn't know yet that there would be another session on September 11th for this little song......
3) Andy White on drums, recorded September 11th. Poor Ringo was relegated to play the tambourine, but he does it with verve and competes with White for the loudest percussion sounds. Andy White is an excellent time keeper, he plays as regular as clockwork. The overall sound of the recording is the best of the early 3 recording dates. This version can be recognized by the absence of handclaps, and the presence of the tambourine. Also note that a fair dose of reverb is applied to the vocals. This version would make it unto most copies of the single, although the first pressing used Ringo's version.
4) Billy Preston on keyboards, recorded on January 28, 1969. The Fab 4 revisited Love Me Do during the Let It Be recording sessions. Of course, Ringo Starr on drums, while Billy Preston is at the Rhodes electric piano (and Alan Parsons at the controls as engineer). This fourth version has not been released, and in its rough form sounds not too interesting. We edited the Let It Be version to produce a pleasant - stereo! - mix, that might well have been included on the Anthology series. The complete version is available elsewhere in BDJ's Cellar full of Remixes.
5) P.S. Love me do - Paul McCartney, featuring Chris Whitten on drums. Paul made a song mixing two of his first 2 songs, P.S. I love you and Love me do and called it "P.S. Love me do". P.S. I Love You" was the b side of "Love Me Do" single in 1962.
6) Ringo vocals: recorded on VH1 Storytellers, a live album by Ringo Starr released in 1998. The album flopped worldwide..... Perhaps this Love Me Do is Ringo's revenge on George Martin and the rest of the world, since this is clearly the best sounding version.
So which of those 6 versions is 'best'? You decide!A Day In The Life; Stereo Remaster
April 14, 2017 06:44 AM PDT
For most fans, a Day in the Life is their favorite track on Sgt Pepper's Lonely Hearts Club Band. Some even consider it the Beatles best song.
Hence, the BDJ engineers decided to make a new Stereo remaster, based on the original tapes. Now, Lennon is firmly seated in the middle. As a bonus, we can now hear clearly L/R separated where vocals were double-tracked, the orchestra was quadruple-tracked, and how the final chord was built up.
What will Giles Martin do with the same recording? We'll know on June 1st.
POSTSCRIPT: Well, the Deluxe box arrived. The remix by Giles Martin is rather similar to the remix presented here; vocals remain nicely in the middle throughout. Giles mixes in some stereo vocal chorus that I didn't have..... Main difference appears to be that Giles mixed Paul's bass to the right, while here it is in the middle. And Giles included the end groove in A Day in the Life. Not correct, in my view, the end groove is independent from ADITL.Try Some Buy Some ft. Ronnie Spector
March 21, 2017 07:09 AM PDT
Harrison wrote "Try Some Buy Some" in early 1971, in an attempt to relaunch the singing career of former Ronettes lead singer Ronnie Spector. Ronnie was married to Phil Spector at that time, who produced the record. The track featured star performers: Harrison played guitars, Gary Wright (Spooky Tooth) keyboards, Klaus Voormann (Manfred Mann) bass, John Barham string arrangement, Jim Gordon (Derek and the Dominos) on drums, Pete Ham (Badfinger) guitar. The song would be included on a planned comeback album on the Beatles' Apple Records.
Harrison wrote the song on an organ, while he used to compose on guitar. This may explain the strange harmonic structure of the song. Klaus Voormann recalls that he had to step in so that Harrison could hear the entire piece played through: "He played the song on the piano with his right hand, just with three fingers. He couldn't play with five fingers and he couldn't play the whole song with two hands on the piano. I had to play the left hand part so he could hear how the whole song sounded."
Also note that the song is a waltz (3/4 rhythm), which is unusual for a pop song. It includes some rhythm patterns that are derived from Indian music.
It was released as an Apple Single in 1971 (and included on the CD “Come and Get It: The Best of Apple Records” in 2010).
The single flopped and the critics were not forgiving for this Harrisong, or Ronnie’s singing…The whole thing turned out to be a huge disappointment, in particular for Phil Spector, who had put enormous effort in producing his trademark ‘Wall Of Sound” backing track for the song. Phil was proud of his achievement and expected that it would be hailed as a masterpiece. However, it appears that the Wall of Sound concept had outlived its days, and the song was far too ‘deep’ for Ronnie’ audience. The whole come-back album was scrapped, and Ronnie and Phil divorced……
In 1973, Harrison added his own vocal onto the 1971 instrumental track and included the result on his album Living in the Material World. Some critics find it doesn’t fit on the album, and Harrison may be singing in a key that was a bit too high for him (because he used a backing track made for Ronnie).
Lennon liked the song and later said that the descending melody played by the string section was an inspiration behind his 1974 song "#9 Dream". The lyrics may also have something to do with “Buy Some Try Some”, as both songs begin with a reference to the past: "Way back in time / Someone said try some…. Compare with #9 Dream: “So long ago, was it in a dream, was it just a dream?”
Earlier, Lennon already based the musical backing of his 1971 single "Happy Xmas (War Is Over)" on that of "Try Some Buy Some".
In recent years, "Try Some Buy Some" has won more acclaim, and its unique musical structure is recognized.
Paul-René Lee alerted me to Ronnie’s 1971 version, and making a duet with Harrison’s 1973 version was straightforward, since both used the same backing track.
The Best of Both Worlds?BeatLess
February 16, 2017 02:28 PM PST
2016 has been a prolific year for celebrity deaths. A fair number of the celebrities who passed away in 2016 were - somehow - connected to te Beatles.
In this track, we remember the 2016's famous losses, in a touching tribute to their talent, inspired by one of The Beatles finest songs, In My Life.
The Beatles celebrities in this mix are:
- David Bowie (“Fame” with Lennon)
This remix is inspired by Fab4cast 67, "Death & The Beatles" - in Dutch only...- , which can be heard and downloaded at:Hey Jude, Isn't it a Pity?
February 13, 2017 03:54 PM PST
There are a number of similarities between Harrison's song (form his first solo LP) and McCartney's Hey Jude. They last (almost) as long, and most of the song consists of the outtro (a hallmark of later Beatles tracks).
December 11, 2016 02:01 AM PST
It has turned into a tradition, the BDJ Christmas remix; in the past 4 years, a Christmas special was posted here, often lasting for 30 mins or more.
This year, the Cellar received numerous requests for remixes, as a follow up to the broadcast of remixes in the Fab4Cast 64 and 65. (listen at http://web.avrotros.nl/podpourri/luisteren/fab4cast.aspx)
Some requests were for remixes with songs by the Electric Light Orchestra (ELO), others requested remixes using the Beatles Christmas records (issued to members of the Beatles fanclub in the 60's).
As a stroke of genius, we decided to combimne all requests, and mash-up ELO with the Beatles Christmas records.
The result may not be the finest tune you've ever heard, but it is still more pleasing than Happy Christmas (War Is Over), or Wonderful Christmas Time. Only Ding Dong Ding Dong comes close......Manchester, November 20, 1963
December 10, 2016 02:43 PM PST
Went to see the film 'Eight Days A Week". A splendid time was guaranteed for all, and it was exciting to see the Beatles live on stage. I found it disappointing that of the live performances are interrupted by interviews; these add little to the story, but break the spell of watching the Beatles live.
I noticed hardly any new material as such; virtually all was available on Anthology, or on bootlegs. I was struck, however, by the quality of the concert in Manchester, of November 20, 1963. The Beatles performed two shows at Manchester's ABC Cinema on their 1963 Autumn Tour.
During the first show, Pathé News filmed the group performing. Accompanied with backstage footage and crowd scenes, this became an eight-minute cinema feature entitled The Beatles Come To Town, shown for a week from 22 December 1963.
In Eight Days a Week the show is presented with great picture quality (widescreen, not TV), and sound in HiFi stereo! This may well be the best quality document of any Beatles concert!
Unfortunately, only 2 complete songs are included in the extended DVD-CD set, She Loves You and Twist and Shout.
These are also the songs that were known before, in much lesser quality. Was the remainder of the concert recorded, and does it still exist? I hope so, but I doubt it.....
For the real Beatlemaniacs, I have recreated the 1963 Manchester concert, using the 2 songs actually from that concert, and the remaining setlist from concerts around the same time. This recreates the original sound of their concerts at that time: dominated by the warm, compressed sound of the VOX-AC30 amplifiers. A few months later, they would switch to the somewhat harsher sounding AC-50s and AC-100's, since the AC-30's weren't loud enough for the stadium concerts in the US.
So clap your hands and stamp your feet!
1 I Saw Her Standing There
October 08, 2016 01:53 PM PDT
The Rolling Stones closed out the opening night on October 7th of the all-star Desert Trip festival in Indio, California with a greatest-hits set that featured a few surprises, including the rock legends' first ever attempt covering the Beatles' "Come Together."
The Stones faithfully ran through the Beatles song complete with an extended guitar solo courtesy of Ronnie Wood and Keith Richards and a mouth organ solo by Mick.
How does it line up against the Abbey Road original? Judge for yourself: The Stones (left) and the Beatles (right) battle it out in this duet.Every Day (BDJ Singers cover)
October 11, 2015 08:42 AM PDT
"Every Night" was written by Paul McCartney while he was on holiday in Greece, and first released on his McCartney album on April 17, 1970.
Every Night is a long-time favourite Macca track of mine. Why? Just so, but the lyrics have a calming effect that resonates with me; I like to be home too. And the chords changes are great too.
This starts by droning the low E on the opening bars. Although the E chord seems to alternate to a sort of Bm7 chord, this is all done by changing just 1 note in the chord. In concert, Paul just lifts his pinky here from the high E string, nothing more. This prolonged E sound is the 'home key', and fits beautifully with the concept of staying home in the lyrics.
The long E sound creates tension, and we then get a quick succession of chords that suggest a move to the key of A. (Listen to Mull of Kintyre for a similar move just before the bagpipes come in). But before we really get there ("and every day I want to do"), Macca plays a F# major, instead of the F#minor. The major chords drives us directly back to the key of E. Again, this marvellously reflects the lyrics: he thinks of going out (moving to the key of A), but quickly decides to stay home (in the key of E).
The 'middle eight' is ultra simple: no lyrics, just 'woooooo' and a simple blues chord progression. Did Macca run out of creative ideas? I don't think so. I suppose he liked this simple section to reflect the simple pleasure of staying at home with his loved one. He doesn't want to DO anything, just BE there. What better way to express this?
Macca may have been inspired by Bob Dylan's "Tonight I'll Be Staying Here With You", which expresses a similar sentiment; and it has a long E7 chord to start-off with. You can midrash on the lyrics if you will: is it about a life in the Beatles, versus living & performing with Linda?
So there you have it. The BDJ singers cover Every Night, basically emulating Macca's version. Who could do better?
NB The picture shows Macca playing the long E chord.Temporary Secretary (Live)
May 25, 2015 08:28 AM PDT
"Temporary Secretary" is featured on the 1980 album McCartney II. It was released as a third single from the album only in a form of 12" single. McCartney claims that he viewed the song as an "experiment", somewhat influenced by Ian Dury.
Once upon a time (or maybe twice) there were four magicians; and they made wonderful music, and called themselves The Beatles.
Tall, broad, and stout, with jet-black hair, unfailingly polite. Antecedents are vague, and never been heard to reminisce. Three wives live in harmony, the children are handsome and well-mannered. Q: Do you ever get lonesome, BDJ? A: Not with three wives and eleven children. Q: Whatever impelled you to settle here? A rather dismal world, on the whole, isn't it? A: Beauty is in the eye of the beholder.
Bdj 's Friends
Subscribe to this Podcast